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An early music video for " Subterranean Homesick Blues " was used as the film's opening segment. Dylan's late March album Bringing It All Back Home was another leap,  featuring his first recordings with electric instruments, under producer Tom Wilson's guidance.
Pennebaker said the sequence was Dylan's idea, and it has been imitated in music videos and advertisements. Tambourine Man " became one of his best-known songs when the Byrds recorded an electric version that reached number one in the US and UK. One version has it that the boos were from folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar.
Murray Lernerwho filmed the performance, said: "I absolutely think that they were booing Dylan going electric. Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel". The lyrics contained images of vengeance and paranoia,  and have been interpreted as Dylan's put-down of former friends from the folk community he had known in clubs along West 4th Street. Init was chosen as the greatest song of all time by Rolling Stone magazine. See media help.
Eliot and Ezra Poundand some who fit into none of the above categories, notably Dr. Filth and his dubious nurse". The band's reception on September 3 at the Hollywood Bowl was more favorable. Producer Bob Johnston persuaded Dylan to record in Nashville in Februaryand surrounded him with top-notch session men.
Bob Dylan is wed". Each show was split in two. Dylan performed solo during the first half, accompanying himself on acoustic guitar and harmonica. yow
In the second, backed by the Hawkshe played electrically amplified music. This contrast provoked many fans, who jeered and slow handclapped. At the climax of the evening, a member of the audience, angered by Dylan's electric backing, shouted: " Judas! You're a liar! During his tour, Dylan was described as exhausted and acting "as if on a death trip".
Pennebaker, the filmmaker accompanying the tour, described Dylan as "taking a lot of amphetamine and who-knows-what-else". It wore me down.
I was on drugs, a lot of things Dylan said he broke several vertebrae in his neck. Truth was that I wanted to get out of the rat race.
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Pennebaker's film of his tour. A rough cut was shown to ABC Television, but they rejected it as incomprehensible to mainstream audiences. Columbia released a selection in as The Basement Tapes double album. Other songs recorded by Dylan and his band in appeared piecemeal on bootleg recordings, but they were not released in their entirety until as The Basement Tapes Complete. The sparse structure and instrumentation, with lyrics that wriet the Judeo-Christian tradition seriously, was a departure from Dylan's previous work. Somehow he has managed to add an octave to his range. Rolling Stone writer Greil Marcus asked "What is this shit?
Dylan's surprise source at Harrison's Desfription for Bangladesh attracted media coverage, reflecting that Dylan's live appearances had become rare.
For many, the single was a surprising return to protest material, mourning the killing of Black Panther George Jackson in San Quentin State Prison that year. Let them stay and live here and breathe.]